Long ago, Angelica was kind enough to critique a novel of mine that wasn’t ready for prime-time–and her feedback really showed me where it needed work.
In exchange, I got to read CROW’S REST in its earlier stages, and when I did, I knew it would reach publication one day. That day will come in May 2015, but until then, here’s a premise and some pretty cover art to entice you:
Avery Flynn arrives for a visit at her Uncle Tam’s, eager to rekindle her summertime romance with her crush-next-door, Daniel.
But Daniel’s not the sweet, neurotic guy she remembers—and she wonders if this is her Daniel at all. Or if someone—some thing—has taken his place.
Her quest to find the real Daniel—and get him back—plunges Avery into a world of Fae and changelings, where creatures swap bodies like humans change their socks, and magic lives much closer to home than she ever imagined.
Here are Angelica’s answers to some interview questions!
Hmm, I have to go back pretty far to think what originally drew me to writing—I was nine when I wrote and illustrated my first book for a fifth grade assignment. But even though it was schoolwork, I quickly learned I was onto something fulfilling. I was already an avid reader who had left behind chapter books in favor of novels (sci fi, fantasy, animal stories, and classics like A Wrinkle in Time) and wanted to take part in the storytelling I found in books.
I enjoyed writing from then on, even crafting some stories for the school literary magazine in junior high. Those were an interesting collaboration (battle?) between my partner’s determination to write the gritty story of a troubled war veteran—and my enduring belief that every story is better with smart-aleck shapeshifters. In high school, a few other geeky girls and I formed a tight group where we exchanged artwork (mine was heavily of the unicorn variety) and stories (again, unicorns figured prominently—along with werewolves).
But those sharing sessions were where I first became aware that despite me having a very clear story and picture in my head, how I put the words down on the page determined what story and picture the other person actually received. That was a revelation to me—that even words like “tree” and “red” don’t mean the same thing to each person.
Thank you! I wanted all the characters—major or minor—to feel like genuine human beings (or Fae beings). It was originally the Fae who gave me the most trouble because their morality can be so fluid. As a race, they are inherently selfish and narcissistic, so having a Fae character who has become somewhat humanized made me think a lot about how his actions would differ from a less “enlightened” Fae. And how those differences might exhibit themselves in ways that seem contradictory to an observer, but make perfect sense to him and his worldview.
Once I started thinking in those terms, I realized that this doesn’t just apply to one Fae character—humans are full of contradictions too. So I would advise spending some time thinking about places where there may be contradictions in the character’s own belief system. What lies do they tell themselves to rationalize these breaks from their values? Or are they even aware of them? If another character “calls” them on a seemingly-hypocritical act, how do they react—with soul-searching or blame-shifting? These questions can help you round out your characters in unexpected ways.